Frequencies

Colors are not aesthetics. They are waves that touch the subconscious. Briele works on a map that connects sound frequencies to light frequencies. As a painter has his palette, so a composer chooses his harmonic colors. His goal is to make sound and light meet, make them speak the same language.

Briele studies sound as one studies an ancient language. Frequencies are not just vibrations in the air — they are subtle currents that traverse the body, modulate breathing, rebalance moods that words cannot name. In his research converge music therapy, neuroscience, emotion, intuition. His music is an attempt to translate what he feels deep inside into a vibrational language that resonates with the very frequencies of the universe. Every harmony is an inner photograph. Every chord a tension that has found the courage to sound. Who listens, also listens to himself. And finds, in the waves, a mirror.

Briele doesn't seek the sacred in religion, but in presence. In waiting. In the silence before the note. In the pause that contains all possibilities. In everything and nothing. In light and darkness. In color and deep black. Briele seeks the meaning of life in the very experience of living it. Both in joy and suffering. Because every emotion is part of the game. And every nuance deserves listening.

Briele weaves Jungian symbolism, emotional archetypes and synesthesia to create a silent dialogue with the listener. Behind every text there is the precise intent to transform complex concepts — philosophical, spiritual, scientific — into simple, direct, everyday words. Because depth doesn't need complications. It needs truth. Briele doesn't write songs. He writes mirrors. And in each one, he leaves a crack open for those who have the courage to really look at themselves.